Collin Kottke

Billy Joel Sings Us A Lot Of Great Songs Because He Is The Piano Man

It was closing in on 8 o’clock and as usual at a concert; I am amazed by how empty the arena is when it’s less than 10 minutes to when the show is supposed to start. I once again say to the people I am with, “If I was an artist, I’d start right on time and screw ‘em if they aren’t in the arena on time.”

I said that at 7:58 p.m. and less than 30 seconds later at 7:59 a loud siren sound blasted through Target Center. The siren sounded like the beautiful beginning to ‘Miami 2017 (Seen The Lights Go Out On Broadway)’ and I was more than excited that Billy Joel was going to open the concert with one of my favorite tunes.

Then I was pointed to the video boards that are lifted high in the rafters and I see the words ‘Gavin DeGraw’ and instantly think Target Center screwed up since it only flashed that he would be opening up for Shania Twain later this summer on her comeback/farewell tour. The lights turned on and I saw a guy that I thought resembled a combined and diluted lovechild of Justin Timberlake, Jason Mraz and Michael Buble. My girlfriend then explained to me that Gavin DeGraw is someone I should probably know and ‘I Don’t Want To Be’ was mentioned.

DeGraw put on a good show, especially when you consider that over half of the arena had absolutely no clue who this guy was which DeGraw even mentioned. “You guys are probably looking up at me and wondering, ‘where the fuck is Billy?’ Well, I don’t know.”

Joel did show up. Big time.

Joel kicked off his show with ‘My Life’ which made me think of Chase credit cards, but it was also a great kickoff song. Although, looking through the set list, Joel and his kickass band could have gone in many directions with the opening song.

Hockey organists’ favorite song, ‘Pressure’, followed and then came the rocker ‘Movin’ Out (Anthony’s Song) before Joel let the crowd do a pair of fielder’s choices. Despite what the drunk guy a couple rows back from me thought, I loved Joel letting the crowd decide what should be played next. Sure, both of my picks were played, but it is easy crowd participation that makes you feel a part of the show.

I should also mention that ‘The Downeaster “Alexa”’ is such a good song. So good.

A couple other non-hits including ‘Vienna’ and ‘Zanzibar’, which shocks me since it’s such an up-tempo seemingly ready for radio song, but what do I know about the radio.

‘The Longest Time’ was immediately after which was another amazing example of how great Joel’s backing band is. To do an a capella piece in an arena is not the easiest feat in the world and the band pulled it off flawlessly. The band and the man can still sing.

Joel worried about being able to hit the high notes in ‘Innocent Man’ and he hit them as he sat twice as old as when he wrote the song. Joel mentioned the other piano man, Elton John, earlier in the concert which made for an easy comparison. John sings everything now about three octaves lower than he recorded them and Joel sounds like a record.

I could go in-depth about every single song Joel did last night, so I’ll just give a couple thoughts leading up to the encore.

‘New York State of Mind’ – another amazing example of the great band. The saxophone player was absolutely brilliant.
‘We Didn’t Start The Fire’ – there were huge video boards above the band that for most of the concert showed close-ups of Joel and the band, but it was really cool for ‘Fire’ because with everything Joel mentioned, an image of that would pop up onto the screen.
‘Scenes From An Italian Restaurant’ – I am a big Billy Joel fan, but I am a bigger Bruce Springsteen fan and last night it hit me that ‘Italian Restaurant’ is Joel’s ‘Incident on 57^th Street’ into ‘Rosalita’. Think about it.

After ‘Italian Restaurant’, Joel strapped on a harmonica and broke into Minnesota-native Bob Dylan’s ‘Like A Rolling Stone’, the second Minnesota artist that Joel covered with a short Prince cover in the early stages of the night which felt like years ago, in a good way.

The harmonica only meant one thing, ‘Piano Man’ which, of course, got the crowd all excited. The energy the crowd had throughout the night was fun even with the crowd sitting throughout much of the show. One of the very cool moments of the concert was Joel and the band stopping the music and letting the sold out Target Center sing the chorus back to them. There was a look on Joel’s face of just pure happiness.

‘Piano Man’ closed out the main set, but everybody knew that it wasn’t over. Billy Joel had built up the energy to a peak and had the crowd in his hand. As Joel walked off the stage, a lot of the crowd fired up the flashlights on their cellphones to light up the arena while making deafening noise. The flashlights during the encore break was something I had never seen before, but it was very cool.

I can’t say enough about the encore. Joel’s main set had some slow moments and some slower songs, but that’s because all of the huge rockers that Joel has was saved for the brilliant five song encore.

Let me just list off the songs that Joel played for his encore:

‘Uptown Girl’
‘It’s Still Rock and Roll To Me’
‘Big Shot’
‘You May Be Right’
‘Only The Good Die Young’

That’s all a guy really needs. The energy pulsing throughout Target Center during the encore was palpable. It was what an encore should truly be, especially with the fact that all encores are pre-determined by almost every artist.

I liked to get rocked on my way out and Joel did just that. I think the only thing I would have did different was flip ‘You May Be Right’ and ‘Only The Good Die Young’, but I might be biased with my love of ‘You May Be Right’. The entertainer probably knows the best, though.

It all started at nine o’clock on a Saturday. There was no bread to put in any jar, but I was by the end I was saying, “Man, how am I even here?”

Thank You, David Letterman

What can I say about David Letterman that hasn’t already been said? We all love the guy and for a comedy nerd like me, he is truly nothing less than a godsend. I don’t think there’s any other way of putting it.

I’ve been thinking about what I wanted to say about David Letterman for the last couple of weeks. I’ve watched a lot of Dave and I’ve tried to collect my thoughts and nothing substantial has hit. I haven’t had a huge epiphany, but maybe that’s the point.

Like Conan O’Brien said in his piece in Entertainment Weekly, Dave made such a seismic shift in comedy that it’s taken a long time to realize what he did. Seriously, it’s taking some the last couple weeks of his historic run to comprehend the fact that Dave literally changed the game.

All of these weird bits that you see on Jimmy Fallon and Jimmy Kimmel and Conan and James Corden and a million other shows can all be traced back to Letterman in some way, shape or form. Dave was a pioneer with a gap in his teeth like the true pioneers students read about in textbooks.

The Top Ten List is the most simplistic of a comedy bit, but it’s still comedy gold. Absolute gold. Ten jokes about one certain topic and some lists bombs, but some lists, oh my God, were hit out of the park, that park being Yellowstone.

I’ve said before that Craig Ferguson was my generation’s David Letterman which is a big statement to make, but I think the last few weeks of Letterman have proved their similarities even more. Ferguson ran a show that hated show business and so has Dave, but he hasn’t let that really show until late. Some of the best stuff Dave has done has been in recent weeks using the tactic that made Ferguson great for years, too.

I wish I could focus more on Dave because his career deserves that attention, but he still amazes me to this day that I still can’t wrap my head around it. It’ll never fully sink in for me that Brett Favre played for the Vikings and I’ll never fully comprehend what Dave Letterman and Paul Schaffer have done for me.

A million people don’t want Dave to leave and you can count me in that million, but it really did take his leaving to show us what we are missing. Stephen Colbert is going to bring a totally different package, but I have no doubt in my mind that he’ll do the Late Show name justice.

I guess what I really want to say to David Letterman is thank you. Thank you for being a great comedian and always being on at 10:35 central right after the local news. Thank you for making me laugh. Thank you for showing me that being a goofball is totally acceptable and cool. Thank you for paving the way for Midwestern kids to make it in show business. Thank you for doing my favorite Super Bowl commercial with Jay Leno. Thank you for changing the game.

Thank you for being my Carson.

(Girl) Crushin’ It: The Change From The Change In Country Music

“I got that real good feel good stuff, up under the seat of my big black jacked up truck.”

It’s not often that you know the exact date that a movement started, but there’s an obvious start date to the beginning of bro-country. August 6, 2012 is when it started and it only took a couple months for the new sub-genre to reign supreme on the country charts.

In August of 2012 a new country duo named Florida Georgia Line debuted on country radio. Their debut single was a song by the name of ‘Cruise’. Even if you have never listened to country music, you’ve more than likely heard the song. The song first topped the Billboard Hot Country chart in December of 2012 and held on to the number one spot a couple more weeks in that winter before a downright amazing run in the summer. ‘Cruise’ was the number one song in country music from April 20 all the way through August 24. This new sound reigned supreme for four whole months on the country charts.

How was it successful? It was a new generation’s Beach Boys music.

David Horse of the Los Angeles Times said that, “this music has an appeal not unlike the teen surfing songs of the Beach Boys or the screaming guitar, take-everything-too-far anthems of Bon Jovi and Sammy Hagar… For a young man, the allure of reckless freedom is forever strong. And it’s not just young men. I know I’ve got a 25-year-old bottled up inside my decidedly not young self who still longs for the fantasy.”

It took two whole years, a new duo and another debut single to see what had really happened to country radio. In the two years, the radio was crammed with bro-county songs which objectified women and promoted Fireball Whisky to no end, but it stopped in July of 2014.

July 15, 2014 was when a new duo named Maddie & Tae released their debut single entitled ‘Girl in a Country Song’ which slammed the lyrical content of bro-country songs. Maddie & Tae were not afraid to call out specific artists including Jason Aldean who is a full-fledged superstar in country music with 13 numbers one singles to his name.

Other superstars like Alan Jackson, Brad Paisley, Kenny Chesney and Zac Brown have all spoken out too. The battle is a tough one. ‘Cruise’ is the bestselling single of all time in country music history, but the genre has revived itself from the ugly trends that started popping up in 2012.

THE BRO-COUNTRY PLAYLIST

“You got that sun tan skirt and boots, waiting on you to look my way and scoot your little hot self over here. Girl hand me another beer, yeah!”

Miranda Lambert is one of only two women that get consistent airplay on country radio right now. Between her and American Idol winner Carrie Underwood, the genre as a whole has left a lot of women behind with the bro-country craze. That fact doesn’t stop Lambert from defending the bro-country subgenre, though.

In an interview with Billboard, Lambert defended the style and her friends in the business that make bro-music.

“I don’t know where ‘bro country’ came from or what it really means, but a lot of those guys are my buddies and I support their music. Within country there are lots of styles: stone-cold country, like Brandy Clark, and there’s Florida Georgia Line with what they do, which is completely different and bringing a whole new audience. There’s room for everyone.”

Lambert’s own husband has been subjected to releasing bro-country music himself. Lambert is married to fellow country music start Blake Shelton and one of his biggest hits was one of the biggest bro-country songs of all-time with ‘Boys ‘Round Here’.

“All them other boys wanna wind you up and take you downtown, but you look like the kind that likes to take it way out, out where the corn rows grow, row, row my boat. Floatin’ down the Flint River, catch us up a little catfish dinner, gonna sound like a winner, when I lay you down and love you right. Yeah, that’s my kind of night!”

The 1990’s changed country music, but it was way before bro-country was even thought of. Some of the aspects of the songs were there with trucks and girls, but it was said poetically. 90’s hit machine Collin Raye pointed this out in an editorial he wrote on FOX News’ website.

Raye compared the songs of yesteryear to the songs of the bro-country era and focused on their writing flair.

“I’m not saying all songs should be somber ballads or about heavy, profound emotional subject matter. On the contrary, great fun, rockin’, party songs, describing the lifestyle of blue collar country folk have always been a staple of the genre. But compare for a minute the poetic, “middle American Shakespeare” infused lyrical prose of classics like Hank Williams’ “Jambalaya” or Hank Jr’s “All My Rowdy Friends Are Coming Over Tonight” or Garth Brooks’ “Friends in Low Places” or his “Ain’t Going Down (‘Till the Sun Comes Up)” to the likes of contemporary offerings like “That’s My Kinda Night”, or any of the other 300 plus songs from recent years that say the exact same thing in pretty much the exact same way. It’s like comparing a Rolls Royce to a ten speed.”

In the editorial, Raye pleads for Nashville and it’s executives to move past the trend of trucks and girls while pointing out that he doesn’t hold this fad against the artists of today.

“I’m not pointing a finger at the artists and especially not the songwriters. They’re simply doing what they have to do to make a living.

It’s the major label execs, the movers and shakers, the folks who control what is shoved down radio’s throat, that I am calling out. They have the power and ability to make a commitment to make records that keep the legacy of country music alive, and reclaim a great genre’s identity.”

Throughout the piece the singer with seven number one singles to his name and countless top ten hits throughout the 90’s and into the 2000’s just wants the poetry and storytelling to comeback into the genre. That’s what some who grew up on folks like Raye seem to want to.

“Might sit down on my diamond plate tailgate, put in my country ride hip-hop mixtape. Little Conway, a little T-Pain, might just make it rain.”

He looks like the kind of guy that would enjoy country music. A six-foot something farm kid, long and lanky, the kind that just simply looks like he knows all the words to more than a handful of George Strait songs. His favorite Strait song is ‘Check Yes or No’ which is pretty fitting.

Logan Ahlers has been listening to country music all of his life and has had to hide listening to anything else around his family. “My parents use to have an XM-Sirius subscription and all my dad would ever listen to was Willie’s Roadhouse,” Ahlers said.

Willie’s Roadhouse is the classic country station on the satellite radio provider. Real classics like Hank Williams and early Johnny Cash and George Jones. So it’s no wonder that Ahlers can’t really show his love for other music around home.

“My dad would kill me if he heard some of what I was listening to. He didn’t like it when I played classic rock,” the senior at the University of Wisconsin- River Falls said. “Who doesn’t at least tolerate classic rock?”

Ahlers’ worries about what his father would do if he found out that he had been blasting Drake’s latest mixtape non-stop right after its release earlier in 2015.’If You’re Reading This, It’s Too Late’, seemed all too literal of a title for what his dad’s reaction might truly be.

Even though he was inundated with the classics, Ahlers is still very fond of older country music. Ahlers’ His wheelhouse is the country sound that flooded the radio in the 1980’s and 1990’s and is looking for that to return to the country music that is now bouncing across America’s airwaves.

“I kind of liked the sound of Florida – Georgia Line at the beginning, but after a while I realized it wasn’t really country music,” the ex-college basketball player stated. “It was fun for a while, but their sound turned into something more than just a fad.”

Ahlers’ like many was swept up in the storm of bro-country before they knew what hit them. The sound at first was quite fresh and cool, but it soon ranked stale to most. The storytelling which made country music what it was had faded away and in came generic placeholders about good looking females and liquor, lots and lots of liquor.

One of the drinks that Florida – Georgia Line sings the most about is Fireball Whisky. The year after the band’s big break, sales of Fireball was up 357%. The sound of the music was popular, the sales showed, but the quality of the tunes were diminishing.

“I like trucks and girls, but songs with emotion are what made me a big country fan,” the Worthington, Minnesota native said. “When every song on the radio is the same it takes a lot of the enjoyment out of the whole process.”

It was clear throughout the interview that meaningful country music is important to Ahlers. While the conversation had more than its share of raking bro-country over the coals, the optimism for the future of country music was refreshing.

Ahlers currently is working on a Spotify playlist for the songs he thinks will be big in the coming summer and he enjoys putting the pieces of an almost impossible puzzle together.

“I love putting playlists together,” the soil science major said. “Being proactive is just a cool aspect to it. I’m sure my five Spotify followers really enjoy it.”

Maybe it’s the fact that Ahlers isn’t just listening to commercial radio solely that gives him more hope for the genre than some. Ahlers is actively searching out for good music and it doesn’t matter to him if the song becomes a hit or is even released as a single to radio. Good music is good music to him.

Another one of Ahler’s Spotify playlists features the songs that haven’t made it into the rotation for a lot of radio stations around the country. This songs that just bubble around getting solidly into the charts can be the source of some real gems of great country songs that might not work as great commercially as others.

“I can see where bro-country songs were popular,” the 21-year-old said. “They are good party songs and those songs are really popular with people my age. Hell, I like them when I’m in that atmosphere.”

Ahlers acknowledges that one of the issues that lies ahead for country music is the fact that some of the really good songs lyrically might have a hard time getting airplay. There’s a current example with Little Big Town’s ‘Girl Crush’.

‘Girl Crush’ is the band’s latest single to country radio. The band consists of two men and two females and in the song the females have the lead. The females sing about wishing they could ‘taste her lips’ which have made some country music listeners squirm, those listeners not realizing that the song has nothing to do with lesbianism. The singer wants to ‘taste her lips, because they taste like you’, that you being the man she loves. She’s just jealous of the woman and has on a ‘crush’ on her because she has the man.

The other side of the coin is also there. Tim McGraw’s ‘Diamond Rings and Old Barstools’ is shooting up the charts and the song has the sound of a classic country track, something that isn’t heard too often on the radio anymore.

“There are some saving graces to country music,” the well-stretched man said. “I love what Miranda Lambert is doing. Eric Church has done some very cool things. Plus, Garth Brooks is back in the saddle again, who knows where that may lead the country music scene.”

Ahlers is still kicking himself for not going to any of Brooks’ shows when he was in Minneapolis this past November.

“I’ve been listening to Garth my whole life and I still can’t believe I didn’t go,” Ahlers said. “I had plans to go and I know he’ll be back again, but it still amazes me I didn’t go.”

There’s three main backbones to Ahlers’ country music listening: Alan Jackson, Strait and Brooks. If only we country could be so lucky to get back to the prime of those three.

“I think bro-country has run its course,” the music aficionado said. “It might sprout up now and again, but I think we’ve weeded it out. We see it clearer now and It won’t be allowed to blossom… at least to the extent of tainting the genre like it did.”

“You can hang your t-shirt on a limb. Hit that bank and we can ease on in. Soak us up a little moonlight, you know I know what you like, yeah!”

Ahlers isn’t alone in that belief. Well-known names in the show business word side with Ahlers on the fact that bro-country is dead. The latest big name to let their voice be heard is Britney Spears’ 24-year-old little sister Jamie Lynn Spears.

This Spears isn’t just riding on her sister’s coattails. Spears came into the public eye with her Nickelodeon teenage-driven TV show Zoey 101 in the mid-2000’s. After leaving the show and having a child at the age of 16, Spears is back but this time in Nashville as part of the country music scene.

Spears released her first country album in 2013 and is writing songs for other artists too, including a song currently climbing the charts for Jana Kramer called ‘I Got the Boy’. Spears has come out strongly against bro-country saying to Taste of Country that the fad is over.

“I’ve definitely heard some music this year that is away from that pattern. I think there’s always gonna be a place for that, because there’s a huge fanbase. It does bring a lot of attention to country music, but it’s really nice to see these great songs that are coming through that are different from that, like Little Big Town‘s ‘Girl Crush.’ You see everybody going crazy about that right now.”

Spears is counting on her fellow artists and the fans to celebrate a move towards diversity again in country music.

“It’s so nice to see people supporting that,” Spears says. “I think that if all of us as artists stick together and really support each other, then we can make it possible for all of us. We can just be one big team, supporting good music and what we believe in. I think we need to be one big support system and say, ‘This is the kind of music we want to put out there for our genre,’ coming together for music we really believe in.”

THE NON-BRO-COUNTRY PLAYLIST

“My kind or your kind is this kind of night. We dance in the dark and your lips land on mine. Oh oh oh oh oh, gonna get our love on. Oh oh oh oh oh, time to get our buzz on.”

The real metric of bro-country is chart success. Bro-country is not having the easiest time on the charts as of late. The current Hot Country Songs chart from Billboard boasts only four songs out of 25 that can be remotely considered bro-country.

Big names like Jason Aldean, Luke Bryan, Billy Currington and Florida Georgia Line are responsible for the four songs, but all four artists have also proven that they are capable of releasing non-bro-country songs.

To highlight it even more, the song that has been mentioned multiple times throughout by multiple people as one that is saving the genre is currently at number one. The week of May 9, 2015 boasts Little Big Town’s ‘Girl Crush’ as the number one country song with only two other bro-country song in the top 20.

‘Girl Crush’ is crushing it on multiple platforms, too. The Hot Country Chart is calculated using three mediums equally: radio airplay, sales data and streaming data. ‘Girl Crush’ is currently the number two streaming song which is paving the way. The streaming chart still has ‘Cruise’, yes that same one, at number eight on the chart. Other bro-country classics from Florida Georgia Line and Luke Bryan still remain, but the armor has been cracked.

The new country system will not crush the careers of Luke Bryan and FGL. Bryan is frankly too attractive to lose much popularity and FGL has a dedicated fan base, but what is being seen and what we will keep seeing is a push back to songs with actual substance; a substance even stronger than alcohol.

“Yeah, that’s my kind of night!”

Sara Evans Apparently Doesn’t Own A Remote

Sara Evans must only get one channel on her television. Everything must be static or a black screen or just simulcasts of the one other channel. That has to be it. It’s not all bad; it’s apparently stuck on FOX.

She gets the NFL on FOX, MLB on FOX, NASCAR on FOX, Brooklyn Nine-Nine, New Girl, the revived X Files thing, American Idol, The Last Man on Earth… oh, never mind.

Evans doesn’t approve of that show. That’s okay, everyone is allowed their own opinion. The songstress and I don’t have to have the same comedic tastes. It only makes sense that we don’t, really.

What should be a non-story has been made a story due to the stupidity of Sara Evans. Evans took to Facebook to complain about The Last Man on Earth, but she did a tad bit more than complain. She asked FOX to parent for her.

Let’s take a look at my favorite line from her Facebook post:

“In the first few scenes it shows him watching porn and saying a prayer to God and making a gross statement about doing something that should NOT be talked about on a major network. FOX. How are we supposed to teach our young boys and girls how to be respectable men and women when shows like that are right there readily available for them to watch?”

Change the channel, Sara, that’s how you can teach the young boys and girls. Don’t let your children watch the shows that you feel are ‘DISGUSTING’. It’s as simple as that.

You can control what your kids watch at home. You could do homework on the new show before you sit down and watch it with your children. Pre-screen it or something.

In this world we don’t need media corporations to teach our children anything, that’s what parents, grandparents and legal guardians are for. If you don’t like something simply change the channel. Maybe you could watch Dancing with the Stars, which is good family fun and sometimes shows Sara Evans in skimpy outfits.

Speaking of skimpy outfits, the ‘gross statement about something should NOT be talked about on a major network’ was about masturbation. The ironic thing being that I’m sure on Evans’ minimal TV appearances alone she’s been the focus of some men’s… umm… ‘admiration’.

And if you don’t like that, you can change the channel.

Five Things We Learned From The First Weekend Of The NCAA Tournament

The first weekend-plus of the NCAA men’s tournament has come to an end and, as usual, there has been a lot of madness. People across the country have, as usual, already torn up their brackets and have started cheering for the upsets. We’ve learned a lot from the first rounds of the tournament, so let’s review.

Michigan State Wins In March

As long as Tom Izzo is the coach of Michigan State never count out the Spartans. Michigan State is now heading into their seventh Sweet 16 in eight years. The Spartans entered the tournament as a seventh seed in their region, a reflection of a mediocre Big Ten season, but have quickly become a sexy pick to advance potentially to the Final Four. It, of course, helps that Villanova fell, but some people knew that would happen.

Sexy Picks Will Turn On You

In a world where we all try to win our bracket pools by not selecting the obvious number one seeds to win, every year we learn that the sexy picks aren’t the way to win it. Big time sexy picks like Iowa State and Butler didn’t make it out of the first round and Louisville knocked out the under-the-radar sexy pick Northern Iowa on Sunday. Sexy picks are fun, but they are more flash than substance sometimes.

ACC = Amazing Collegiate Conference

Notre Dame, North Carolina, North Carolina State, Louisville and Duke all hail from the ACC and they all stand tall in the Sweet 16. Many are in position to advance to the Elite Eight. North Carolina will not be favored in a matchup against number one seed Wisconsin and Louisville and North Carolina State faceoff against each other, but the ACC looks to be stronger than ever and will be a big part of your television viewing for the rest of March.

The Committee Sometimes Knows

When the bracket came out, many where crying about the fact that UCLA made the tournament and I was one of those making noise. UCLA has made us all eat crow as they are one of the lucky 16 remaining teams. UCLA was a benefactor of pulling their own upset over Larry Brown and SMU and being paired in the bracket with the Iowa State upset brought by UAB to allow UCLA to advance, but sometimes it’s better to be lucky than good.

Don’t Get Emotionally Attached To A Team

I’m a Minnesota Golden Gopher fan and March is usually pretty depressing because the Gophers never seem to make the NCAA Tournament. Over the years I’ve adopted Iowa State, thanks to former Minnesota Timberwolves’ great Fred Hoiberg, Kansas, Minnesota’s own Cole Aldrich, and Northern Iowa, the run a couple years ago and not realizing there was ANOTHER Division 1 team in Iowa. I go into the second weekend without any emotional ties to any team. I love coach Izzo at Michigan State, I like cheering for Rick Pitino since his son, Richard, is at Minnesota and I picked Duke to win it all, but I won’t shed any tears or it won’t ruin my day if any of these schools lose. I am now in an emotionless tournament.

The beautiful thing about basketball is that you can watch any level and learn something from it. You can watch a 5^th grade basketball tournament and be amazed by a pass and you can watch the best college athletes and be amazed by the coaching. Basketball is beautiful. Strategy, skill and slam dunks: basketball is always the sexy pick.